So beautifully told. I also appreciated your artist statement and the analysis in terms of gender and voice. I am curious about the two scenes. It is interesting that you chose not to capture the “date” scene. But you did capture a scene before the walk/talk where two unnamed characters seem to be fawning over Toby. I am wondering what your thinking was in capturing this first scene. What did that set up for you? I have my thoughts, but I would love to better know yours!
Meg, I really liked how you wrote your screenplay and the overall conversation. You wrote in a way where it flowed naturally like how conversations would go. I think I also felt the overpowering aura from Toby and how he seemed to not care about what you had to say with how you put in the parts of him interrupting and talking over you.
Something you mentioned in your artist statement was that you couldn’t capture how long the conversation actually went on for in reality and I am wondering how long this whole interaction went on for?
So beautifully told. I also appreciated your artist statement and the analysis in terms of gender and voice. I am curious about the two scenes. It is interesting that you chose not to capture the “date” scene. But you did capture a scene before the walk/talk where two unnamed characters seem to be fawning over Toby. I am wondering what your thinking was in capturing this first scene. What did that set up for you? I have my thoughts, but I would love to better know yours!
Meg, I really liked how you wrote your screenplay and the overall conversation. You wrote in a way where it flowed naturally like how conversations would go. I think I also felt the overpowering aura from Toby and how he seemed to not care about what you had to say with how you put in the parts of him interrupting and talking over you.
Something you mentioned in your artist statement was that you couldn’t capture how long the conversation actually went on for in reality and I am wondering how long this whole interaction went on for?